After the success of Taken and Gran Torino, Hollywood has been on a vigilante kick. And right now, Bryan Singer (along with studio execs all over town) has been seriously considering getting his revenge on with The Prisoners, a much-sought-after thriller script to which Mark Wahlberg is attached to star as a Boston dad who takes the law into his own hands when his young daughter is kidnapped. The screenplay, which has been compared to The Silence of the Lambs and Seven, has been buzzed about as a calling card for its unknown writer, Aaron Guzikowski, and as a rare project targeted at adult audiences but with real commercial potential. When asked whether The Prisoners will be his next movie, Singer told EW: 'I don't know yet. But I'm definitely intrigued. It's a great script. And I'd love to work with Mark.' source: EW
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Trailers For Mikhael Hanekes “The White Ribbon”

2 trailers for   Mikhael Hanekes ” The White Ribbon” , which won golden palm on Cannes Film Festival this year.The film works on several levels – as a story of hypocritical adults and their unbalanced children, a picture of patriarchal community life and a snapshot of how 20th century Germany was shaped.

It’s also Haneke working in unusually classical fashion. Aided by crisp, often startling images shot by Christian Berger, the film-maker weaves his web of storylines with a traditional voiceover, a linear narrative and fine period detail.

Created and written by the director with script guidance from the great Jean-Claude Carriere, The White Ribbon takes place over two years from 1913-1914 in a staunchly Protestant, rural community in Northern Germany. Narrated by an old man (Jacobi) recalling his years as the village schoolteacher (when he is played by the appealing Friedel), the story begins with a mysterious accident in which the local doctor (Bock) falls off his horse and breaks his collarbone, apparently tripped by a wire planted at the gate to his house.

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