After the success of Taken and Gran Torino, Hollywood has been on a vigilante kick. And right now, Bryan Singer (along with studio execs all over town) has been seriously considering getting his revenge on with The Prisoners, a much-sought-after thriller script to which Mark Wahlberg is attached to star as a Boston dad who takes the law into his own hands when his young daughter is kidnapped. The screenplay, which has been compared to The Silence of the Lambs and Seven, has been buzzed about as a calling card for its unknown writer, Aaron Guzikowski, and as a rare project targeted at adult audiences but with real commercial potential. When asked whether The Prisoners will be his next movie, Singer told EW: 'I don't know yet. But I'm definitely intrigued. It's a great script. And I'd love to work with Mark.' source: EW
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‘Uncle Boonmee’ wins Palme d’Or

CANNES — Apichatpong Weerasethakul’s “Uncle Boonmee Who Can Recall His Past Lives,” an arresting and imaginative cinematic oddity touching on themes of animism and reincarnation, won the Palme d’Or from the jury of the 63rd Cannes Film Festival on Sunday night. It marks the first time a Thai-directed entry has received the fest’s top honor.

Easily the most idiosyncratic film in competition, “Uncle Boonmee” was also one of the few roundly admired films in what was generally conceded to be the weakest Cannes lineup in years. Weerasethakul is now three for three at Cannes, having previously won the jury prize for 2005′s “Tropical Malady” and the Un Certain Regard prize for 2002′s “Blissfully Yours.”

The Grand Prix was awarded to Xavier Beauvois’ “Of Gods and Men,” a resonant fact-based drama about French monks under siege in Algeria.

Juliette Binoche, this year’s Cannes poster girl, took the actress laurels for her role in Abbas Kiarostami’s Tuscany-set two-hander, “Certified Copy.” Binoche paid tribute in her speech to imprisoned Iranian helmer Jafar Panahi, originally set to be a member of this year’s jury.

The actor award was declared a tie between Javier Bardem for his perf in Alejandro Gonzalez Inarritu’s “Biutiful” and Elio Germano for his work in Daniele Luchetti’s “Our Life.”

French actor-helmer Mathieu Amalric won the director kudo for “On Tour,” in which he also starred. Screenplay honors went to South Korean writer-director Lee Chang-dong for “Poetry.”

Mahamet-Saleh Haroun’s “A Screaming Man,” the first Chadian entry to compete at Cannes, received the jury prize.

The Camera d’Or for first film went to Michael Rowe’s “Leap Year,” which screened in Directors’ Fortnight.

INTL. COMPETITION JURY AWARDS

Palme d’Or

“Uncle Boonmee Who Can Recall His Past Lives” (Apichatpong Weerasethakul, Spain-Thailand-Germany-U.K.-France)

Grand Prix

“Of Gods and Men” (Xavier Beauvois, France)

Director

Mathieu Amalric (“On Tour,” France)

Jury Prize

“A Screaming Man” (Mahamet-Saleh Haroun, France-Belgium-Chad)

Actor

Javier Bardem (“Biutiful,” Mexico-Spain) and Elio Germano (“Our Life,” Italy)

Actress

Juliette Binoche (“Certified Copy,” France-Italy-Iran)

Screenplay

Lee Chang-dong (“Poetry,” South Korea)

UN CERTAIN REGARD JURY AWARDS Main Prize

“Hahaha” (Hong Sang-soo, South Korea)

Jury Prize

“October” (Daniel Vega, Diego Vega)

Special Prize

Adela Sanchez, Eva Bianco, Victoria Raposo, “The Lips” (Ivan Fund, Santiago Losa, Argentina)

OTHER MAIN JURY AWARDS Camera d’Or

“Leap Year” (Michael Rowe, Mexico)

FIPRESCI AWARDS Competition

“On Tour” (Mathieu Amalric, France)

Un Certain Regard

“Adrienn Pal” (Agnes Kocsis, Hungary)

Directors’ Fortnight

“You Are All Captains” (Olivier Laxe, Spain)

SHORT FILMS JURY PRIZES Palme d’Or

“Barking Island” (Serge Avedikian, France)

Jury prize

“Bathing Micky” (Frida Kempff, Sweden)

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